The darkness that slinks into the room through the door left ajar by the first few guitar notes of The Rolling Stones’ 1969 release “Let it Bleed” is undeniable. The eerie and evocative tones from the apocalyptic opening track, “Gimme Shelter’, almost seem to prophesy the death of the flower-power-free-loving[…]
Dear Friends, The wait is over! After over a year-and-a-half of writing, recording, mixing, mastering, and art-wrangling; we are proud to announce that our sixth studio album “Mourning Glory” is officially done! And it is a big one. It has been such a labor of love. The double LP is[…]
Final Video of “Hearts & Arrows” Trilogy Drops Jim McKay of JMK Pictures has done it again with this final installment of the “Hearts & Arrows” Video Trilogy. It was a grand pleasure working with him and we hope to continue to collaborate in the future. Enjoy “78702”, a song[…]
2nd Video of the Trilogy Debuts Today Here is the official music video for “Red River & 8th”. The video was once again directed by Jim McKay of JMK Pictures and the song is from Nowherebound’s fifth studio album “Hearts & Arrows” which can be found on Drunken Ship Records[…]
“Those Were the Days” Music Video Debuts Today! Nowherebound released their new music video for “Those Were the Days” today. The video was directed by Jim McKay of JMK Pictures and the song is from Nowherebound’s fifth studio album “Hearts & Arrows” which can be found on Drunken Ship Records[…]
We are proud to finally release “Hearts & Arrows” After an amazingly successful IndieGoGo crowdfunding campaign (thanks so much to you all), a brutal recording session (which you can follow by watching our ‘Making of Nowherebound V‘ series), followed by wrapping up mixing, mastering, and album artwork in record time;[…]
“Hearts & Arrows” releases in less than a week, however, we are releasing some acoustic versions and b-sides ahead of time on a collection we are calling “Carry On, Caulfield“. And to sweeten the deal, you can get this 6 song offering FREE when you pre-order “Hearts & Arrows” on[…]
